Call for Papers: The First World War: Past, Present, Future

Call for Papers: The First World War: Past, Present, Future

Edinburgh Napier University, Craiglockhart Campus

27 & 28 June 2019

 

An image of the Craiglockhart Hydropathic mental hospital

In the wake of the centenary of the First World War, The First World War Network seeks to build upon the success of its inaugural event at IWM North in February 2016 by reflecting upon the first century of First World War history, celebrating current, pioneering research into all areas of the conflict, and producing an ambitious, transnational framework for the future direction of scholarship on the twentieth century’s first global conflagration.

The organisers welcome contributions that examine the local, regional, national, and international dimensions of First World War history, that provide diverse and interdisciplinary approaches to the study of the conflict, and/or that emphasise the war’s multiple legacies and impacts. We aim to bring together the latest in academic scholarship with participation from heritage agencies, libraries, museums, archives, community groups, individual researchers and all those with a shared desire to sustain interest in furthering knowledge and understanding of this seminal event. Alongside a range of traditional presentations, the conference will include poster presentations and roundtable discussions on the future of First World War studies with participants drawn from across the academic and public sphere.

Abstracts for individual twenty-minute papers, panels of three connected papers, and posters which focus upon any aspect of the past and present of First World War studies are invited. Suggested themes may include, but are not limited to:

●      The conduct of the war

●      The politics of the war

●      Commemoration/remembrance

●      Community projects

●      Forgotten theatres

●      Wounding and its aftermath

●      The centenary

●      Cultural responses to the war

●      Uses of the war

●      Historiographical trends

●      Gendered aspects of warfare

●      Local, regional, national or international responses

●      Dominant discourses

●      Myth and memory

●      Understanding/coping with death

●      Peace making

●      Silence

●      Learning from the war

The working language of the conference will be English. Abstracts of 250 words should be accompanied by your name, institutional/organisational affiliation (if any), and a biographical statement of up to 100 words. Submissions for complete panels should also include a statement of up to 250 words outlining the relationship between the individual papers. A ‘flash presentation’ session will take place during the conference, in which poster displayers can introduce and discuss the research behind their displays.

We wish to encourage submissions from academics, students, institutions, organisations, independent researchers, and community groups. In line with our mission to encourage and support postgraduate students and early career researchers, a number of bursaries will be available to individuals who fall into this category to assist their attendance at the conference. In addition, the First World War Network will be coordinating opportunities for postgraduate students and early career researchers who participate in the conference to engage in a peer mentoring scheme. Please indicate upon your submission if you wish to be considered for a bursary and/or the peer mentoring scheme.

All submissions and enquiries should be sent by email to: fwwnetwork@gmail.com

The deadline for submissions will be: 14 December 2018

The organising committee aim to notify all applicants of their decision by 1 February 2019.

The Venue

Located to the south-west of the Scottish capital, the Craiglockhart campus of Edinburgh Napier University possesses a famous link to the First World War. The campus, commandeered for use as a military hospital for the treatment of shell-shocked officers, provided both the location for the first meeting between the poets Siegfried Sassoon and Wilfred Owen and the site upon which Dr William H. Rivers made significant advances in psychiatric treatment. The campus is now home to the War Poets Collection, a tribute to Sassoon, Owen, and their contemporaries whose words have provided a significant and lasting effect upon the public memory of the conflict.

A permanent exhibition allows visitors to view the collection, and gain an insight into the personal and social experiences of war through the words, memories, voices and objects that the officers, medical staff and relatives of those associated with Craiglockhart Military Hospital left behind.

 

Event review: The Sherwood Foresters in Dublin, Easter Week 1916

Event review: The Sherwood Foresters in Dublin, Easter Week 1916

Captain Christian “Freddie” Dietrichsen

The Sherwood Foresters in Dublin, Easter Week 1916

Nottingham Lakeside 7 October 2017

The Centre for Hidden Histories has provided financial support for a public engagement partnership examining the Easter Rising in Dublin in 1916 and, in particular, the role of the 7th and 8th Reserve Battalion Sherwood Foresters. The battalion was mainly made up of young working-class men from Derbyshire and Nottinghamshire.

The subject has been researched in some detail by Professor James Moran of the University of Nottingham’s School of English, and he has also forged the public engagement programme with Hall Park Academy, Eastwood. Jim Moran has worked on the project with Professor Fintan Cullen of the University’s Department of History of Art. Fintan is from Dublin.

The Sherwood Foresters who were sent to Dublin had little idea of what they were walking into, and the battalion suffered the greatest casualties of all the British regiments involved in the insurrection. The soldiers were also made to participate in the firing squads that executed the rebel leaders. Jim and Fintan have researched the story of what happened both during Easter week and immediately afterwards when they were moved to Galway. They used archival material to explore how, at the time of the rebellion, the Sherwood Foresters believed that they would be remembered.

Much of the research was embedded in a specially devised performance at Lakeside by year 10 students from Hall Park Academy in Eastwood. The intention was to recover the voices of the soldiers from Nottinghamshire, and the play used the words of the soldiers, their opponents, and Eastwood’s most celebrated son D.H. Lawrence who, the audience was reminded, was not a conscientious objector but was found (on three occasions) to be unfit to serve on the front line.

Jim Moran introduced the play, in order to set the scene for the performance. The Second Battalion of the Notts and Derbyshire Regiment, better known as the ‘Sherwood Foresters’, were the last of the 1914-1918 war volunteers. They went to war to defeat the Germans but soon found themselves in combat on the streets of Dublin. The Foresters arrived in the Irish capital on 26 April 1916. They marched from Kingstown port (now Dun Laoghaire) into the city. The battalion was divided into two. Two thousand troops were sent into the city along the tree-lined Northumberland Road, cheered on by many of the citizens of Dublin – although some of the soldiers appear to have thought they were in France and were surprised to be greeted by cheering crowds speaking in English rather than French!

Far from having an easy ride against what they had been assured was an ill-disciplined and poorly trained rebel force, they found themselves up against well organised fighters, and within hours of their arrival more than 220 Foresters had been killed or wounded by just 17 men of the Irish Volunteers.

The Foresters had received just 12 weeks training, and they were ill-prepared for combat; indeed, some of the men had not even learned to fire a rifle. Their machine guns and hand grenades had been left on the dockside in Liverpool. The British military leaders believed that a show of force would be enough to end the uprising. It was a serious miscalculation.

The letter to Capt. Dietrichsen from his children

One of the officers leading the men was Nottingham barrister Christian “Freddie” Dietrichsen, a Captain in the regiment. Before the war, Dietrichsen – who was of Danish extraction, hence the surname – had married an Irish women, Beatrice Mitchell. They settled in Nottingham’s Park estate but with the outbreak of the war Freddie, fearing the possible impact of Zeppelin raids, sent his wife and children to Watford. Unbeknown to Freddie, Beatrice decided this was still too close to the action, and moved with her children to Dublin. They were among the crowd waving flags on Northumberland Avenue when Freddie marched past. He was surprised, because he thought they were in Watford, and they were surprised because they thought he was in France. The march into Dublin stopped briefly for Freddie to kiss his wife and children before carrying on. Shortly afterwards he was killed by a sniper’s bullet. In his jacket pocket were letters to him from his children, and a letter he had written but not sent, to his wife.

All of this was recounted in the Hall Park Academy’s performance at Lakeside, together with appropriate quotations from Lawrence. For the pupils, this was their first opportunity to perform on a public stage, for the parents it was an opportunity to be proud of their offspring, and for the Centre for Hidden Histories and Jim Moran it was an opportunity to find out more about a First World War event which the British army chose (presumably from embarrassment at having underestimated the Irish rebels) to play down. But, first and foremost, congratulations to the pupils of Hall Park Academy.

Event: We Will Remember Them Exhibition

William Robinson Clarke WW1 RAF pilot from Jamaica, photo courtesy of the Royal Aero club

LAUNCH EVENT:

Friday 22nd September 6:30pm

New Art Exchange

39-40 Gregory Boulevard, Nottingham NG9 6BE

The We Will Remember Them project, funded by the Centre for Hidden Histories, aims to uncover hidden narratives that will strengthen the coverage of under-represented groups in relation to the centenary of the Great War. Empire troops fought in the most infamous battles of the war, including at Ypres and Passhendaele, but the hidden histories of soldiers from the Caribbean and South Asia still need to be recovered and their stories told, not only in scholarly monographs but in other cultural forms too.  Consequently, this project aims to ensure that we try to avoid the real risk that younger generations will conceive of the war as fought entirely by white soldiers.

The research output has been constituted in the form of a travelling exhibition which will facilitate the general public becoming (more) aware of the courage, sacrifice and stories of “Commonwealth” soldiers. The exhibition will tour the East Midlands and London and will launch at New Art Exchange on the 22nd September.

Following the launch, the exhibition will travel to the following venues:

  • 25th-29th September Nottm. County Hall, West Bridgeford NG2 7QP
  • 2nd-5th October Clifton Cornerstone, Southchurch Drive, Clifton NG11 8EW
  • 6th-12th October Bulwell Riverside, Main Street NG6 8QL
  • 12th-18th October Mary Potter Centre, 76 Gregory Blvd. NG7 5YH
  • 18th-23rd October Nottm. Central Library, Angel Row NG1 6HP
  • 23rd-26th October Nottm. City Council, Loxley House, Station Street NG2 3NG
  • 27th October-1st November St Anns Valley Centre, 2 Livingston Rd NG3 3GG

Please contact nottinghamblackarchive@gmail.com for more information.

This project is delivered in association with Renaissance One