A Nottingham Library Remembers: Bromley House Library and The First World War 1914-1918

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Jeff Buggs’s story of 9 Albert Avenue, Carlton

The Bromley House Library is holding a series of events to commemorate the war. Michael Noble takes a look at what’s on.

The Bromley House Library has served the people of Nottingham for almost two hundred years and is, at the start of the twenty-first century, one of the few remaining subscription libraries in the country. Its appeal lies partly in its collection of around 40,000 books and also in its pleasant atmosphere, described as ‘tranquil and unstuffy’ atmosphere. Founded in 1816, the library has been situated since 1822 in Bromley House, a Georgian townhouse that is now Grade II* listed. Access to the library is usually limited to paying subscribers but it is opening its doors this autumn and inviting the public to pay a visit to see a specially-commission exhibition of First World War artefacts and to hear a range of guest speakers.

The exhibition, which has been generously supported by the Lady Hind Trust, has been mounted as part of Nottingham’s Trent to Trenches programme. It consists of items that have been kindly loaned by the library’s members in an effort to tell the ‘stories’ behind their families’ experience of the Great War.This creates a natural focus on the war as it was experienced by Nottingham people. This personal element is made all the more poignant by the setting of cherished objects alongside beautiful photographic images of their owners, some of whom gave their lives in the conflict.  A modern interpretation of the war is provided by local artist Janet Wilmot, whose works have been displayed to accompany the historical material.

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BHL collections, images and one of the War Bond Posters
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Part of the installation by Janet Wilmot

The exhibition is displayed in the Bromley House Gallery and in the main reading rooms, and is open to the public every Wednesday from 10.30am – 4pm In addition, the library has a diverse programme of subjects and speakers for Saturday lectures (£5.00 pp) and Wednesday lunchtime talks. The talks on Wednesdays are free but tickets need to be reserved in advance.

 

 

 

For further information about the programme and reserving tickets please contact geraldine.gray@bromleyhouse.org, or phone 0115 9473134, visit www.bromleyhouse.org or just pop in!

 

 

Autumn Roadshows 2014

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A souvenir card from the First World War, displayed at our Leicester event

Michael Noble reports from the Hidden Histories Autumn Roadshow Programme

We’ve just completed our first round of roadshows, which took us to Nottingham, Leicester and Derby to share some of our work and ideas. We were very pleased to welcome members of community groups, interested individuals and staff from the Heritage Lottery Fund and the local councils who came along to listen and participate.

Our Principal Investigator, John Beckett outlined his idea of ‘Hidden Histories’ and explained that we were interested in examining the stories of people who took part in the First World War but who do not fit the conventional model of a Tommy. To illustrate his point he presented a picture of Wilfred Owen next to a similarly-posed portrait of a Daffadar (Sergeant) of the of the 14th Murray’s Jat Lancers of the Indian Army and asked the audience to name them. Many of the attendees could identify Owen, none could name the Daffadar. And neither could we. His, John pointed out, is a hidden history.

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Mike Heffernan presents his research to the audience at Leicester

We had the privilege of hearing from community representatives who wanted to share their ideas for commemorative projects. In Nottingham, Dr Irfan Malik presented the story of the Dulmial Gun (which we blogged about here) and described its importance to his family. Local artist Joy Pitts gave us an insight into her work and her ongoing Military Boots project and Eric Pemberton of the African and Caribbean organisation Banyan presented his painstakingly researched calendar, which he also brought along to the Leicester event. He was joined at Leicester by the Ramgarhia Social Sisters who have recently returned from a visit to the Empire, Faith and War exhibition and who have been inspired to create a tapestry work to tell the stories of the Sikh soldiers in the First World War. Also at Leicester was Roy Hathaway, who has amassed a collection of around a quarter of a million vintage cigarette cards, many of which feature soldiers and imagery from the war. Roy was kind enough to display some of his collection at the event. In Derby, we were joined by Daljit Singh Ahluwalia MBE and his wife Parkash, who are planning to develop a local exhibition of the Sikh contribution.

All three events featured a short talk given by one of our Co-Investigators. In Nottingham and Derby, Natalie Braber presented her work and answered the question of what a linguist has got to do with the First World War. In Leicester, Mike Heffernan gave a talk on the Imperial (now Commonwealth) War Graves Commission and the effort to memorialise the dead in an appropriate and fair manner.

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Some of Roy’s collection, displayed at Leicester

We were encouraged by the enthusiasm shown by the attendees and will be pleased to work alongside them as they develop their projects. If you were unable to come to any of the roadshows, but would like to get involved, please contact us for a friendly discussion.

 

The Dulmial Gun

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The gun at Dulmial

 

A nineteenth century cannon sits at the entrance of a Pakistani village. Michael Noble takes a look at the story of the Dulmial Gun.

Dulmial is a village approximately a hundred miles south of Islamabad in Pakistan. A century ago, the area was part of British India, which meant that its inhabitants were drawn into the Great War on the side of the Allies. A settlement steeped in military history, Dulmial sent 460 of its men to fight in the British Army, the largest single participation of any village in Asia. Nine gave their lives. In recognition of this service and sacrifice, in 1925 the British government offered Dulmial an award of their choosing.

The man in charge of this choosing was Captain Ghulam Mohammad Malik, the highest ranking and most decorated soldier in the village. The Captain was a man of great experience, having commenced his military life in the Derajat Mountain Battery and participated in Lord Roberts’ march from Kabul to Kandahar in 1880. A career soldier, he eschewed the British offers of land, money and water facilities, choosing instead to have Dulmial’s contribution recognised with the presentation of a cannon.

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Officers of Dulmial pose with the gun

The British agreed to this selection and provided Dulmial with a twelve pounder. Agreeing was the easy part. Getting the thing to Dulmial would be quite a different matter. The gun was to be collected from the First Punjab Regimental Centre in Jhelum, from where it could be carried by train to Chakwal. There, the gun was dismounted and loaded in a cart to be pulled by three pairs of oxen for the remaining 28 kilometres. The roads were semi-mountainous and passage was difficult. It would take the ox carts two weeks to cover the distances. From five kilometres out, at Choa Saiden Shah, the route became more difficult still and Dulmial had to despatch five additional pairs of oxen to relieve the initial six and complete the gun’s journey.

Safely in Dulmial, the gun was placed at the main entrance to the village and a photograph taken with the local commissioned officers. It remains there today, a reminder of the contribution that Dulmial made in the First World War.

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The plaque attached to the base of the monument

Dulmial is now known within Pakistan as the ‘village with the gun’, but it is rather less well known in the UK. ‘This is because very little has been written or published about the the village in English’, says Dr Irfan Malik, a Nottingham man whose family originates in Dulmial. ‘I have visited Dulmial many times over the years’, he continues ‘and I have made it my aim to research the World War One history of the village as it played such an impressive part during the time’. It is Irfan’s intention to bring this hidden history to a wider audience and help to share the reasons of just what a nineteenth century Scottish cannon is doing in the mountains of Pakistan.