‘I looked towards Chilwell and I saw a wall of black smoke rising into the sky’

Chilwell resident Michael Noble looks at a dark event from the district’s wartime past…

It wasn’t over by Christmas. The extended duration of the war wasn’t entirely unexpected (eagle-eyed members of Kitchener’s New Army will have spotted that they’d signed up for ‘three years or until the war was over’) but it wasn’t necessarily planned for either. Several months of heavy shelling, with hungry guns well-supplied by rail, led to the rapid depletion of high explosive shells by early 1915. The resultant ‘shell crisis’ was a notable scandal in many combatant countries and in Britain led to political turmoil that saw the creation of a coalition government and the founding of a Ministry for Munitions, led by David Lloyd George.

Munitions workers at Chilwell
Munitions workers at Chilwell

Existing arms factories were brought under tighter official control and several new installations were created, among them No. 6 Filling Factory at Chilwell in Nottinghamshire. The dangerous duty of the filling factories was to take the explosive chemical compounds and add them to the empty shells that had been made for the purpose. The Chilwell factory, like many such places, was staffed largely by women, nicknamed ‘munitionettes’ or ‘canaries’, owing to their yellow complexions, caused by their absorption of poisonous chemicals.

The Chilwell factory was efficient (evidence suggests that Chetwynd was a hard taskmaster) and filled over nineteen million shells during the war. It was, nevertheless, dangerous work. Factory staff wore rubber boots in an effort to avoid making sparks that could set off a deadly conflagration. Rings and shoelaces were banned. You can never be too careful. Sadly, you can still never be careful enough. On the 1st July 1918 a massive explosion occurred, destroying much of the installation, killing 134 people and injuring 250 more.

A plaque at the burial site of the killed workers
A plaque at the burial site of the killed workers

The disaster had an understandable impact on those who survived it. It did not, however, break their spirit or commitment and the factory continued to produce shells, achieving its highest weekly output within a month of the explosion. The event was subjected to a thorough investigation and, while Chetwynd suspected sabotage, this could not be proven.

Of course, the factory did eventually cease production several months later when the Armistice was declared. The site is now owned by the Ministry of Defence and is home to the Chetwynd Barracks. a memorial to those who died in the explosion was erected in the grounds and still stands today. A plaque offers some details of the events of wartime, but like the factory staff themselves, remains focused on the output of shells:

Erected to the memory of those men and women who lost their lives by explosions at the National Shell Filling Factory Chilwell 1916 – 1918
Principal historical facts of the factory
First sod turned 13th September 1915
First shell filled 8th January 1916
Number of shells filled within one year of cutting the first sod 1,260,000
Total shells filled 19,359,000 representing 50.8% of the total output of high explosive shell both lyddite and amatol 60pd to 15inch produced in Great Britain during the war
Total tonnage of explosive used 121,360 tons
Total weight of filled shell 1,100,000 tons

If you’d like to find out more about the Chilwell Filling Factory, you can hear an audio recording of Emily May Spinks, recalling her time as a teenage employee and her memories of the explosion. A 30 minute documentary, The Killing Factories is also currently available on the BBC iPlayer.

The impact of the explosion
The impact of the explosion

The Military Boots Project

A Nottinghamshire artist has found a unique way of remembering those who served, and those who continuTrent to Trenchese to do so. Michael Noble takes a look.

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Some of the completed cotton strips

Joy Pitts is a multiple award-winning contemporary artist based in Nottinghamshire. She works primarily with garments, which she sees as expressive of our individual identity and way of life. Her work assembles these individual identities into a shared whole that represents the collection of individualities that we call society.

This concept has a natural mirror in the idea of war memorials that place individual names in a shared space. One of Joy’s current projects reflects this by seeking to gather individually-sewn names of servicemen and women and present them as a single art work on canvas that will depict a pair of military boots. The Military Boots project is a collaborative effort being undertaken as part of Nottinghamshire’s Trent to Trenches programme.

Joy would like to invite  you to contribute to this project by stitching the name of those in your family past or present who have served or are serving in the Armed Forces onto a strip of cotton tape for her to add to the art work. She will provide the materials, you just need to provide the names and a little bit of your time.

Joy says ‘during World War One it was common for both men and women to sew; repairing clothing at home and in the trenches, embroidering messages to send to loved ones and sewing bandages. This project recalls these activities and invites you to make your own hand made acknowledgement to those who serve.’

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Cotton strips in blue

If you are interested in taking part, you can contact Joy directly here to request a stitch pack.

A Nottingham Library Remembers: Bromley House Library and The First World War 1914-1918

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Jeff Buggs’s story of 9 Albert Avenue, Carlton

The Bromley House Library is holding a series of events to commemorate the war. Michael Noble takes a look at what’s on.

The Bromley House Library has served the people of Nottingham for almost two hundred years and is, at the start of the twenty-first century, one of the few remaining subscription libraries in the country. Its appeal lies partly in its collection of around 40,000 books and also in its pleasant atmosphere, described as ‘tranquil and unstuffy’ atmosphere. Founded in 1816, the library has been situated since 1822 in Bromley House, a Georgian townhouse that is now Grade II* listed. Access to the library is usually limited to paying subscribers but it is opening its doors this autumn and inviting the public to pay a visit to see a specially-commission exhibition of First World War artefacts and to hear a range of guest speakers.

The exhibition, which has been generously supported by the Lady Hind Trust, has been mounted as part of Nottingham’s Trent to Trenches programme. It consists of items that have been kindly loaned by the library’s members in an effort to tell the ‘stories’ behind their families’ experience of the Great War.This creates a natural focus on the war as it was experienced by Nottingham people. This personal element is made all the more poignant by the setting of cherished objects alongside beautiful photographic images of their owners, some of whom gave their lives in the conflict.  A modern interpretation of the war is provided by local artist Janet Wilmot, whose works have been displayed to accompany the historical material.

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BHL collections, images and one of the War Bond Posters
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Part of the installation by Janet Wilmot

The exhibition is displayed in the Bromley House Gallery and in the main reading rooms, and is open to the public every Wednesday from 10.30am – 4pm In addition, the library has a diverse programme of subjects and speakers for Saturday lectures (£5.00 pp) and Wednesday lunchtime talks. The talks on Wednesdays are free but tickets need to be reserved in advance.

 

 

 

For further information about the programme and reserving tickets please contact geraldine.gray@bromleyhouse.org, or phone 0115 9473134, visit www.bromleyhouse.org or just pop in!