Event: Pat Barker in Conversation

320x320.fitandcropAs part of UNESCO Nottingham City of Literature, award-winning British writer Pat Barker will be appearing at Nottingham Playhouse on Wednesday 15 June. 

Barker is one of the leading novelists of the First World War. She was awarded the Booker Prize for The Ghost Road (1995), the final novel in her much acclaimed World War I Regeneration Trilogy.

Noon Day, the third novel in her Life Class trilogy, which spans the First and Second World Wars, was published in 2015 and she is working on a new novel.

Pat Barker is renowned for her imaginative exploration of war and has regenerated interest in historical figures including the army psychiatrist W.H.R Rivers and artist-surgeon Dr Henry Tonks, as well as war artists in both world wars. As we mark the centenary of the First World War, Barker’s writing has particular and contemporary resonance.

Barker’s novels have been adapted for the stage and filmed in the US and the UK. They are studied in schools and enjoyed by readers across the generations.

Pat Barker will be in conversation with Sharon Monteith, Professor of American Studies at the University of Nottingham, who has followed Barker’s work since the 1980s and written about it since the 1990s. She published Pat Barker (Northcote House and the British Council, 2002), the first critical study of the writer, and co-edited Critical Perspectives on Pat Barker (2005).

For more information and to book tickets, please visit the Nottingham Playhouse website

Winston Churchill: Size 46

Winston Churchill: Size 46

Churchill visiting the Enfield Lock Munitions Works, 1915
Churchill the politician visiting the Enfield Lock Munitions Works, 1915

Winston Churchill is indelibly associated with the Second World War, and with good reason. As Prime Minister of Britain from 1940-45, he took a leading role in the conflict. However, he also had significant role in the First World War and one that is rather less celebrated.

In 1914 Churchill was First Lord of the Admiralty and took part in the debates and arguments that concerned British involvement. He was also a staunch advocate of the development of the tank, then still referred to as ‘landships’. However, he is perhaps better known (or more notorious) for his masterminding of the failed Dardanelles campaign and the Gallipoli landings, which were tragic disasters for the Allied cause.

Seeking to make amends for his failures, Churchill left the government and took a commission in the Army, serving as a Lieutenant Colonel in the Royal Scots Fusiliers on the Western Front. He remained there until 1916 and, after winning the trust of new Prime Minister David Lloyd George, he returned to government, initially as Minister of Munitions.

After the war he was appointed Secretary of State for Air and War and attended peace talks in Paris in 1919 at which he warned of the dangers of Bolshevism. His opposition to the Soviet system remained with him even after he was forced to make common cause with the Soviet Union in the defeat of Hitler.

Churchill with the Royal Scots Fusiliers at Ploegsteert. 1916
Churchill the soldier with the Royal Scots Fusiliers at Ploegsteert. 1916

Artist Joy Pitts, whose work we covered in an earlier blog post, has started work on a piece to commemorate Churchill. The work, currently titled ‘Size 46’ will focus on Churchill’s very particular style.

The project has been made possible through collaboration with his preferred outfitters. Churchill was certainly a man of style, choosing Henry Poole & Co, the most famous Savile Row tailor to measure, cut, fit and sew his bespoke three-piece suits.
Turnbull & Asser of Jermyn Street were also favoured by Churchill, pattern cutting and crafting his shirts and spot silk bow ties. Later referring to Churchill simply as size 46 and designing his famous ‘siren suit’.
Our vision of Churchill today would certainly not be complete without the addition of a Homburg hat, first ordered by Churchill from Lock & Co Hatters at No. 6 St. James’s Street, London in 1911. Now the oldest hat shop in the world.

The artwork in progress
The artwork in progress

Henry Poole & Co, Turnbull & Asser and Lock & Co Hatters are proud to have been of service to Churchill and are delighted to supply their bespoke labels for inclusion in his portrait. The result will be a contemporary image of Britain’s greatest war leader, portrayed through dress and reflecting on quality couture craftsmanship.
Once assembled using thousands of dressmaker pins the portrait will be exhibited in London in 2016

For more details and to see the work develop, please follow Joy’s blog

Call for Papers: Beyond the Western Front -The Global First World War

Call for Papers: Beyond the Western Front -The Global First World War

The Centre for Hidden Histories is proud to announce a two day Conference and Community Showcase, entitled Beyond the Western Front: The Global First World War to take place at the Albert Hall Conference Centre, Nottingham, 1st and 2nd July 2016

Two young Belgian girls greet their father outside their home on his return from work, as their mother looks on from the doorway. Birtley-Elisabethville, Co. Durham, 1918. IWM Q 27746
Two young Belgian girls greet their father outside their home on his return from work, as their mother looks on from the doorway. Birtley-Elisabethville, Co. Durham, 1918. IWM Q 27746

Through a combination of academic papers, workshops and creative performances, this free conference will examine different understandings of the war and seek to provide a broader cosmopolitan context in which to place the British First World War orthodoxy. We seek representation from a variety of national, faith and other emerging communities whose histories are rarely considered, and for whom the traditional Armistice Day celebrations may have strikingly different meanings.

The existence of a First World War beyond the Western Front is a critical element of the Centre’s thematic interest and the conference would be intended to examine this in an open and discursive manner. We are actively seeking contributions from community groups and academic researchers.

It is hoped that the debates at the event will prompt further research and collaboration between academics and communities. Where possible, prompts to the AHRC Connected Communities, Care for the Future and Global Uncertainties themes will be made.

The conference will explore four major themes:

  1. The Lives of ‘Others’
    We are looking for contributions that examine the experiences of those whose war was fought outside the western trenches; at home and around the world. This embraces not only the combatant roles of Asian and African troops in European and non-European theatres but also the important contribution of labour. All the combatants enlisted labour for the myriad heavy duties to supply and maintain front lines. There are few monuments to labourers. The Great War was also a global war at sea, and a large number of merchant seamen were non-Europeans.
  1. The War as Global Revolution
    The war was one of the most significant moments of change in recent history. We want to examine the global impact of these changes, in the destruction of old orders, the raising of new ones and in the development of new ways of living. This raises the question of periodisation e.g. the ‘1914-18 war’ so often projected; or, in the language of the UK Allied Victory medal ‘The Great War for Civilisation 1914-1919’; but what of the perspective from other parts of the world, eg. Turkey – should it be 1911 to the Treaty of Lausanne 1923? What is rather obvious is that the Great War did not end with the ‘Armistice’ or with the Paris treaties, but turned to revolution with sustained violence and destruction on a large scale across a large part of the world.
  1. We Are Making a New World: The lives of those who survived
    In remembering the fallen, did we forget the even greater numbers who came home? We are interested in proposals that will examine the challenges faced by the men, women and children who lived into the peace. There were not many ‘memorials’ for those who survived the war, but there were memories and psychological damage on a large scale.
  1. Different Memorial Cultures
    With the war now lost to living memory, cultures of remembrance are the primary methods by which people engage with it. We are looking for contributions that illuminate and explore the very different cultures of remembrance across national, ethnic and social groups.

 

Potential topics include, but are not limited to:

 

  • The impact of defeat
  • The impact of victory
  • The questioning of religious belief as a result of war
  • From 1914 to When? The question of periodisation
  • ‘Enemy aliens’ and the impact of war on minority communities
  • The concept of the refugee from 1914 to the present day
  • Migration and resettlement
  • The First World War and the founding of nation states
  • War and the growth of the power of the State
  • Total war and attempts to retreat from this in the early 1920s.
  • Postwar independence movements
  • The First World War and the creation of the modern Middle East
  • The impact of continuity on British national attitudes
  • The First World War in the twenty first century
  • Unknown Warriors: the creation of mass memorials
  • Memorial traditions in different cultures and territories
  • The changing heroic ideal
  • War and the changed roles and positions of women, and not just in the industrial states.
  • Influenza, a pandemic and the single largest demographic disaster of the 20th century. To what extent the flu was a result of the war?

Format

We invite proposals for workshops, 20-minute papers, performances, or posters. Other creative responses or discussion and debate formats will also be considered.

Persian man posing for a photograph. Note a truck with British troops in the background. The Service of the 9th Battalion, Royal Warwickshire Regiment in the Persian Campaign, 1918. IWM Q 73032
Persian man posing for a photograph. Note a truck with British troops in the background. The Service of the 9th Battalion, Royal Warwickshire Regiment in the Persian Campaign, 1918. IWM Q 73032

We accept applications from individuals, community groups and academic researchers from any discipline, with an interest in relevant topics. The Centre would particularly welcome proposals that involve collaborations between community groups and academics.

Please send a brief description of no more than 300 words outlining the topic you wish to share and your preferred format of presentation.

Submissions should be made to hiddenhistories@nottingham.ac.uk by 29th January 2016.

Informal enquiries welcome.