Trent to Trenches and the Local in the Global


Trent to Trenches is the official commemorative project of Nottingham City and County. Michael Noble paid a visit to see how the first ‘global war’ remained steadfastly local.

Whether byTrent to Trenches sending its young men off to fight on land, sea and air, by contributing materially to the war effort or by banding together as the costs of the conflict grew, every corner of the country was affected in some way by the First World War. The local impact of the war remains a powerful one and is central to the Trent to Trenches project in Nottingham.

The central exhibition, based at Nottingham Castle, weaves the local seamlessly through a series of objects and stories that nonetheless reflect the global nature of the war. A detailed timeline, painted onto the walls, matches events in Nottinghamshire with those that took place around the world. As visitors progress through the displays (a skilful blend of the chronological and the thematic)  materials such as uniforms, letters, diaries and photographs, many of which were kindly loaned by local people, emphasise the ‘Nottingham-ness’ of the war. A lace panel, reflective of one of the town’s traditional trades, portrays British, French and Belgian soldiers as they would have appeared at the start of the war. A huge Union Jack dominates one wall. Its origin? HMS Nottingham, the light cruiser that was sunk by a U-boat in 1916.

Nottingham Lacework
Nottingham Lace Panel showing Belgian, British and French soldiers, 1914

The Nottingham had recently taken part in the Battle of Jutland, which was not the only major engagement that had a local angle. During the Battle of the Somme,  the Sherwood Foresters were deployed at Gommecourt, towards the northern end of the line. Their role was a diversionary one, intended to draw German attention away from the main assault further south. The exhibition tells the story through an emotionally affecting film which cleverly uses local information to make it familiar: the territorial gain was ‘the distance from Nottingham Castle to Radcliffe-on-Trent’. Doing that in the East Midlands would cost you about two hours on foot. In France on the 1st July 1916 it cost the Sherwood Foresters 424 officers and men.

Further familiarity is found in the personal. You can see Nottingham schoolboy Raymond Pegg’s beautifully illustrated diary in which he commented on the development of the war with the eager pupil’s eye for details of flags and military equipment. The diary, in Raymond’s well-drilled handwriting, is accompanied by photographs of the lad as he would have appeared in between making entries and is a fascinating insight into the mental world of a young civilian at the time.

Albert_Ball_portrait
Albert Ball c1915-16

Flying Ace Albert Ball, a local and national hero,  is given a section to himself, with photographs, clothing and other items of interest including his personal weapons. Ball, the son of a wealthy Nottingham businessman, was born on Lenton Boulevard in 1896 and fostered an early interest in engineering which led him to pursue a wartime career in the air. As with so many early airmen, this career was a painfully short one, which ended in 1917 in a crash at Douai in France, but it was a successful one and Ball was the most successful British airman at the time of his death. The ‘Wonder-Boy of the Flying Corps’, his exploits were celebrated internationally, and even acknowledged by Manfred von Richthoffen, the ‘Red Baron’, who described him as ‘the best English flying man’. For all this celebrity,  the most resonant aspect of the Ball exhibit is the local and personal -his signature on his flying certificate, the images of his family or the photograph of him as a toddler at home in Nottingham, a local lad from the very beginning.

 

The Trent to Trenches exhibition is at Nottingham castle from Saturday 26th July – Sunday 16th November 2014.

 

 

Empire, Faith and War: The Sikhs and World War One

Stalwarts from the East
‘Stalwarts from the East’ A French lady pins a flower on the Sikh saviours of France, Paris, 1916. (Toor Collection)

In 1914, Sikhs represented just 1% of the population of British India but made up 20% of the British Indian Army. Michael Noble looks at a new exhibition that commemorates their role in the First World WarStalwarts from the East

One of the reasons that the war of 1914-18 is considered a world war is that the European powers were swift to involve their colonial possessions in the conflict. For Great Britain, this meant drawing on territories from all over the globe, including Canada, Australia, New Zealand and, of course, India, the ‘jewel’ in the imperial crown. India provided Britain with a massive volunteer army of over a million men, a sizeable portion of which were Sikhs from Punjab in northern India. Their role in the war is now being commemorated by the UK Punjabi Heritage Association (UKPHA) who have curated an exhibition entitled Empire, Faith and War.
The exhibition’s organisers are keen to emphasise not just the depth of Indian involvement in the war (illustrated by the fact that every sixth British soldier would have been from the Indian subcontinent), but also the breadth. Accordingly the exhibition has been designed to describe the full Sikh experience, from the Sikh Empire to the breaking out of war in 1914 and from there, through the varied experiences of Sikh soldiers in Europe, Africa and the Middle East, and of Sikhs who remained in India throughout.

The exhibits include propaganda and recruitment material, newspaper excerpts, artefacts such as clothing, medals and phulkari and of course many excellent photographs that depict Sikh soldiers, their loved ones and their comrades from around the world. The story is brought to life through film footage, sound recordings of Sikh POWs and curiosities such as x-rays of injured Sikh soldiers.

Sikh Poster
A propaganda postcard praising the contribution of Indian soldiers to the Allied cause, c. 1915. (UKPHA Archive)

Empire Faith and War is much more than an exhibition. The project has larger ambitions to illuminate ‘the Great War’s Forgotten Army’ and will do so through the production of a documentary film, a commemorative publication, education packs for schools, a touring mini-exhibition and ultimately, a database of soldiers’ and families’ stories, which they aim to create with the help of volunteer ‘citizen historians’. The aim is to leave a legacy in which this hidden history is a little less hidden and rather more reflective of the size of the contribution made by those brave men from India.

Empire, Faith and War is at the Brunei Gallery, SOAS, London until the 28th September.

 

The Auxiliary Hospital at Mill House

The Great War increased the need for auxiliary hospitals, including those based in the East Midlands. Nigel Hunt explains how even one of the smaller units, at Mill House in South Wingfield, was kept busy…

Mill House, South Wingfield
Mill House, South Wingfield

VADs (Voluntary Aid Detachments) were voluntary nurses. The organisation had been formed in 1909, and there were over 14,000 VADs by the start of the war. Vera Brittain was one of the best-known VADs, she served in the UK, France and Malta during the war, and wrote about her experiences in Testament of Youth, published in the 1930s. Other well-known VADs included Agatha Christie, Amelia Earhart and Hattie Jacques. Many VADs were middle- and upper-class women who wanted to get involved in the war effort, and being a VAD was considered an acceptable role.

With the large numbers of wounded, it was necessary to introduce auxiliary hospitals all around the country. These were situated in large houses, village halls, school buildings, and other large buildings. The auxiliary hospitals were attached to military hospitals so military control was retained. Each hospital was headed by a commandant in overall (non-medical) control, a matron, and a number of VADs.

Derbyshire had 37 auxiliary hospitals. These included larger establishments such as the Whitworth Institute in Darley Dale, Willersley Castle in Cromford, and Green Hall in Belper (this last was demolished long ago). Mill House, in Church Lane, South Wingfield , was a Red Cross VAD hospital during World War One. It was one of the smaller hospitals, with only 12 beds.

Mill House was owned by the Bower family who owned the mill at the bottom of the hill (now Taylor’s Mill). The commandant at one point was Mrs Ella Smith, and the matron Doozy Smith It had 88 patients over a period of 14 months. According to the High Peak News in February 1918, Mrs Smith received an honour for her work at South Wingfield.

 

The matron, Doozy Thompson, with a group of patients on the lawn at Mill House
The matron, Doozy Thompson, with a group of patients on the lawn at Mill House
Plaque that used to be on Mill House. It disappeared some time ago
Plaque that used to be on Mill House. It disappeared some time ago